The method for making the arrangement uses oasis to get a water supply to cut flowers. As readers of my blog know, I don`t use oasis. Instead, I attached some living plant material to my log in a mini plant pot with soil in it. Here is my creation – the first photo was taken by Katie Collins (who also took the photo of the woodland bouquet above), and the second by me in a domestic context.
I have done some further experimenting with how to get water to the cut flowers and I tried this out at a workshop I held in my own flower studio for a small group of keen guinea pigs. I decided to run the workshop in the studio as I had seen how messy the woodland creating process could be and I thought Mike might react badly to moss glued to our parquet floor! Here is the set up.
And here are the materials – logs (plenty in Eccleshall Woods just up the road), succulents, dried flowers and seedheads, bark, cones, moss, mushrooms and some pretty flowers (not too blowsy – they need to have a woodland feel).
This is my demonstration log. It is actually the same log that I made in Francoise’s workshop, but re-worked with some fresh materials – and as you can see it looks as though there are some flowers growing out of the log - but it is all artifice!
The way we got water to the flowers was by using small plastic phials which were then covered in moss. Something like this.
As the workshop progressed more material was added.
Here are the finished logs (with some close-ups). They looked fantastic – truly, more like works of art than flower arrangements.
This is what Sue, Ann and Liz wrote about it: ‘I`m bragging about it to everyone I meet’, ‘I thoroughly enjoyed making the woodland log – it looks beautiful in situ’, ‘I really enjoyed the chance to be so creative and they all looked lovely, but different’. I think I can safely say it was a hit!
Back to Devon and the woodland bouquet. Here is the set up there (it was in the lovely Sid Valley Country House Hotel)….I do have a bit of residual worry about the fate of the carpet! On the workbench you can see the framework for the woodland bouquet – it is the round shape (this houses the oasis) with a handle on it.
We decorated both the surface of the oasis and the handle. The outcome did look amazing. Here are some professional photos taken by Katie. The model is Lilia Darling:
I was so impressed by this that I wanted to add something like it to my repertoire, but somehow I have had to find a way out of the oasis. I decided that the key thing was to incorporate dried materials like pine cones and succulents (for those of you interested in technical detail, I wired all of these). The other thing I really liked was the decoration of the handle. So I added some robust leaves to the underside and the handle, and also a little natural decoration. This is still a work in progress, but here is the fruit of my first attempt – pretty good.
Finally, a huge, heartfelt thank you to Francoise Weeks who has opened my eyes to new ways of working with a wider range of flowers, foliage and plant material than I had ever thought possible. What a star and what a great role model for me.